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Autumn, an 1856 sunset landscape painting by Frederic Church.

The Sound of the Picturesque

Charles Ives and the visual.
Unidentified African American soldier in Union uniform with wife and two daughters.

Race in Black and White

Slavery and the Civil War were central to the development of photography as both a technology and an art.
original

Mum’s the Word

In the height of the Cold War, the NSA created a series of posters to keep its secrets from leaking. They're both wonderful and creepy.
Garry Winogrand book on a shelf.

Garry Winogrand’s Photographs Contain Entire Novels

A photographer whose work resembles that of a realist novelist, we observe a cast of characters as they change over time.
W.E.B. Du Bois.

Racial Violence in Black and White

From lynching photos to Black Lives Matter – what does it mean to look at images of African Americans being murdered?

By Which Melancholy Occurrence: The Disaster Prints of Nathaniel Currier, 1835–1840

Why Americans living in uncertain times bought so many sensational images of shipwrecks and fires.
Photo by Ralph Ellison of men standing by a street in New York City.

Ralph Ellison’s Alchemical Camera

The novelist's aestheticizing impulse contrasts with the relentless seriousness of his observations and critiques of American society.
The Phrygian cap derives its name from the ancient region of Phrygia, in what is now Turkey. Also known as a liberty cap, it inspired revolutionaries in both the Colonies and France.

The Paris Games' Mascot, the Olympic Phryge, Boasts a Little-Known Revolutionary Past

The Phrygian cap, also known as the liberty cap, emerged as a potent symbol in 18th-century America and France.
Carbinari seal of a woman holding a liberty cap.

Lady Liberty in Restoration Italy? Crime, Counterfeit, and Carbonari Revolutionary Politics

Following Napoleon’s fall, international secret societies emerged promoting dissent from absolutist forms of power and sharing ideologies and iconographies.
Liberty holding an American flag with "For the Union" written on it.

Capturing the Civil War

The images, diaries, and ephemera in Grand Valley State University’s Civil War and Slavery Collection reveal the cold realities of Abraham Lincoln’s world.
Postal stamp featuring Benjamin Franklin.

Why We Still Use Postage Stamps

The enduring necessity (and importance) of a nearly 200-year-old technology.
Covers from Lippincott's and Harper's from the 1890s.

Advertising as Art: How Literary Magazines Pioneered a New Kind of Graphic Design

Allison Rudnick on the rise and fall of the 19th century "Literary Poster."
No parking sign.

The No Symbol: The History Of The Red Circle-Slash

One of the best-known icons of modern society is a classic example of a symbolβ€”it’s easy to spot, but hard to explain. Who came up with it?
Title page of the "Manual of the Corporation of The City of New York."

The Bittersweet Legacy Of David T. Valentine

Valentine devoted his time to writing the Manual of the Corporation of the City of New York. These were annual compendiums of data about the city.
"Alien Embrace" repeated artwork

The Institute for Illegal Images

Meditating on blotter not just as art, or as a historical artifact, but as a kind of media, even a β€œmeta medium.”
Lady Columbia drawing from 1890.

Before Lady Liberty, There Was Lady Columbia, America's First National Mascot

The forgotten figure symbolized the hopesβ€”and mythsβ€”of the early United States.
Drawing from "Little Nemo in Slumberland" by Winsor McCay

The Cutting-Edge Cartoons of Winsor McCay

A prolific, meticulous artist, McCay created characters and storyscapes that inspired generations of cartoonists and animators.
Good Housekeeping cover with girl looking at wedding cake topper

Wedding Cake Toppers: Miniatures, Excess, and Fantasy

Tying frilly white doves and normative bride-and-groom couples to feminist art and DIY craft practices that offer opportunities for creativity and fantasy.
A poster made by Ghazal Foroutan showing solidarity with the women of Iran

Was She Really Rosie?

The unlikely, true story of the Westinghouse β€œWe Can Do It” work-incentive poster that became an international emblem of women’s empowerment.
Painting of classical ruins, called the 'Temple of Aphaea, Aegina,' by John Rollin Tilton.

18th- and 19th-Century Americans of All Races, Classes & Genders Looked to the Ancient Mediterranean for Inspiration

In a new land, the ancient past held special meaning.
A still from "Ulitza Sezam" with the cast and puppet characters sitting around a table.

When the Muppets Moved to Moscow

A new book details the tangled tale of "Ulitsa Sezam," a "Sesame Street" spinoff that aired until visions of Russia's democratic future faltered.
Black-and-white collage style poster for the Jewish Museum

Fuzz! Junk! Rumble!

A show at the Jewish Museum surveys three eventful years of art, film, and performance in New York Cityβ€”and the political upheavals that defined them.
Eugene Sandow lifting a dumbell.

Buff Boys of America: Eugen Sandow and Jesus

Under the influence of Muscular Christianity, Jesus transformed into a muscle-bound Aryan, saving souls through strength and masculinity.
The United States of America, or as it’s also known: New York’s β€œback yard”.

Satirical Cartography: A Century of American Humor in Twisted Maps

Satire and an inflated sense of self-importance collide in a series of maps that goes back more than 100 years in American history.
A Jewish family welcomes home their Navy man and gathers for a Passover Seder at their home in St. Paul, Minnesota in 1943.

How a Coffee Company and a Marketing Maven Brewed Up a Passover Tradition

A collaboration between advertiser Joseph Jacobs and the famous coffee company produced the classic U.S. haggadah.
Victor Duhem, Woo Dunn and two other men (1910), posed in a portrait studio as if they were driving a car.

The Photos Left Behind From the Chinese Exclusion Era

The California Historical Society contrasts how Chinese people were portrayed in the press with the dignified studio portraits taken in Chinatown.
Illustration of bishops titled "The Mitred Minuet"

No Bishops, No Kings: Religious Iconography and Popular Memory of the American Revolution

Popular religious iconography and art in the decades preceding the Revolution offer a fuller narrative arc of the development of revolutionary ideas within American society.
Front page of the Saturday Evening Post

The Persistence of the Saturday Evening Post

When George Horace Lorimer took over as editor of the Saturday Evening Post, America was a patchwork of communities. There was no sense of nation or unity.
John B. Castleman statue in Louisville, Kentucky, on the ground in a field, covered.

Nearly 100 Confederate Monuments Were Toppled Last Year. What Happened to Them?

A striking photo project reveals the maintenance yards, cemeteries, and shipping containers where many of the memorials to white supremacy ended up.
β€œLinen” postcard, depicting cars parked along a city street, in front of "Chop Suey" building, where people are standing outside.

Street Views

Photographs of empty city streets went out of fashion, but lately are coming back again. What's lost in these images of vacant streets?

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