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Black-and-white collage style poster for the Jewish Museum

Fuzz! Junk! Rumble!

A show at the Jewish Museum surveys three eventful years of art, film, and performance in New York City—and the political upheavals that defined them.
by J. Hoberman via New York Review of Books on October 10, 2022
Eugene Sandow lifting a dumbell.

Buff Boys of America: Eugen Sandow and Jesus

Under the influence of Muscular Christianity, Jesus transformed into a muscle-bound Aryan, saving souls through strength and masculinity.
by Matthew Wills, Rachel McBride Lindsey via JSTOR Daily on July 6, 2022
The United States of America, or as it’s also known: New York’s “back yard”.

Satirical Cartography: A Century of American Humor in Twisted Maps

Satire and an inflated sense of self-importance collide in a series of maps that goes back more than 100 years in American history.
by Frank Jacobs via Big Think on April 19, 2022
A Jewish family welcomes home their Navy man and gathers for a Passover Seder at their home in St. Paul, Minnesota in 1943.

How a Coffee Company and a Marketing Maven Brewed Up a Passover Tradition

A collaboration between advertiser Joseph Jacobs and the famous coffee company produced the classic U.S. haggadah.
by Kerri Steinberg via The Conversation on April 13, 2022
Victor Duhem, Woo Dunn and two other men (1910), posed in a portrait studio as if they were driving a car.

The Photos Left Behind From the Chinese Exclusion Era

The California Historical Society contrasts how Chinese people were portrayed in the press with the dignified studio portraits taken in Chinatown.
by Emily Wilson via Hyperallergic on March 13, 2022
Illustration of bishops titled "The Mitred Minuet"

No Bishops, No Kings: Religious Iconography and Popular Memory of the American Revolution

Popular religious iconography and art in the decades preceding the Revolution offer a fuller narrative arc of the development of revolutionary ideas within American society.
by J. L. Tomlin via Age of Revolutions on December 6, 2021
Front page of the Saturday Evening Post

The Persistence of the Saturday Evening Post

When George Horace Lorimer took over as editor of the Saturday Evening Post, America was a patchwork of communities. There was no sense of nation or unity.
by Amanda Darrach via CJR on November 9, 2021
John B. Castleman statue in Louisville, Kentucky, on the ground in a field, covered.

Nearly 100 Confederate Monuments Were Toppled Last Year. What Happened to Them?

A striking photo project reveals the maintenance yards, cemeteries, and shipping containers where many of the memorials to white supremacy ended up.
by Melissa Lyttle via Mother Jones on October 22, 2021
“Linen” postcard, depicting cars parked along a city street, in front of "Chop Suey" building, where people are standing outside.

Street Views

Photographs of empty city streets went out of fashion, but lately are coming back again. What's lost in these images of vacant streets?
by Kim Beil via Cabinet on October 14, 2021
Artwork by Alanna Fields of an enslaved individual.

The Dark Underside of Representations of Slavery

Will the Black body ever have the opportunity to rest in peace?
by Latria Graham via The Atlantic on September 16, 2021
Illustration of Edgar Allen Poe looking out window at raven, painted by Eduard Manet

Edgar Allan Poe Needs a Friend

Revisiting the relationships of “a man who never smiled.”
by Matthew Redmond via Lapham’s Quarterly on September 7, 2021
Man kneeling in crowd in front of police

On Our Knees

What the history of a gesture can tell us about Black creative power.
by Farah Peterson via The American Scholar on September 7, 2021
Join or Die woodcut of a chopped up rattlesnake representing un-unified colonies.

The Serpents of Liberty

From the colonial period to the end of the US Civil War, the rattlesnake sssssssymbolized everything from evil to unity and power.
by Zachary Mcleod Hutchins, Matthew Wills via JSTOR Daily on August 30, 2021
A family posing for a picture on a porch

Porch Memories

An architectural historian invites us to sit with her awhile on the American porch.
by Federica Soletta via The Public Domain Review on August 4, 2021
Text that says "Can a font be racist?" in the font "Won Ton."

Karate, Wonton, Chow Fun: The End of 'Chop Suey' Fonts

For years, the West has relied on so-called 'chop suey' fonts to communicate "Asianness" in food packaging, posters and ad campaigns.
by Anne Quito via CNN on April 7, 2021
Lawd, Mah Man's Leavin' by Archibald Motley Jr.

How Should We Understand the Shocking Use of Stereotypes in the Work of Black Artists?

It's about the satirical tradition of 'going there.'
by Richard J. Powell via Artnet News on February 16, 2021
Duncanson landscape painting

Robert S. Duncanson Charted New Paths for Black Artists in 19th-Century America

Deemed “the greatest landscape painter in the West,” he achieved rare fame in his day.
by Alex Greenberger via Art In America on January 29, 2021
Mother with a laptop, surrounded by noisy children.
partner

Suffrage Movement Convinced Women They Could ‘Have it All’

More than a century later, they’re still paying the price.
by Allison K. Lange via Made By History on August 25, 2020
Tiled pattern of 2020 presidential campaign signs.

How Candidate Diversity Impacts Color Diversity

We looked at 271 presidential candidate logos from 1968–2020 to find out how race and gender intersect with color choices.
by Champe Barton via The Pudding on August 1, 2020
Warner Sallman's "Head of Christ" painting.

How Jesus Became White — and Why It’s Time to Cancel That

Nearly a century later, both ‘Head of Christ’ and criticism of its role in enshrining Jesus as white endure.
by Emily McFarlan Miller via Religion News Service on June 25, 2020
Seal of the CIA nestled against a background of modern art.

Was Modern Art Really a CIA Psy-Op?

The number of MoMA-CIA crossovers is highly suspicious, to say the least.
by Lucie Levine, Jonathan Harris, Christine Sylvester, Russell H. Bartley, Frank Ninkovich via JSTOR Daily on April 1, 2020
Caricature of Oscar Wilde in between a sunflower in a vase with the U.S. dollar symbol on it, and a lion with sunflower petals for a mane.

The Wilde Woman and the Sunflower Apostle: Oscar Wilde in the United States

Victoria Dailey looks back at Oscar Wilde’s wild ride through the United States in the early 1880s.
by Victoria Dailey via Los Angeles Review of Books on February 8, 2020
The Bullion Mine, Virginia City, Nevada, in a village at the foot of a mountain.

Gold Diggers on Camera

Creating the myth of the gold rush with the help of daguerreotypists.
by Jane Lee Aspinwall via Lapham’s Quarterly on October 28, 2019
Engraving of Harriet Beecher Stowe in profile.

How the Camera Introduced Americans to Their Heroines

A new show at the National Portrait Gallery spotlights figures including Harriet Beecher Stowe, Lucretia Mott and Margaret Fuller.
by Meilan Solly via Smithsonian on July 9, 2019

What Maketh a Man

How queer artist J.C. Leyendecker invented an iconography of twentieth-century American masculinity.
by Tyler Malone via Lapham’s Quarterly on June 10, 2019

An Unreconstructed Nation: On Henry Louis Gates Jr.’s “Stony the Road”

A new history of Reconstruction traces the roots of American “respectability” politics through artwork.
by Robert D. Bland via Los Angeles Review of Books on May 10, 2019

How a Small-Town Navy Vet Created Rock’s Most Iconic Surrealist Posters

The story of one of rock's most prolific poster artists.
by Ben Marks via Collectors Weekly on March 28, 2019
original

The Drunkard’s Progress

Two hundred years ago, it was hard for Americans to miss the message that they had a serious drinking problem.
by Benjamin Breen on January 17, 2019

A Wretched Situation Made Plain on Paper

How an engraving of a slave ship helped the abolition movement.
by Cheryl Finley via Lapham’s Quarterly on July 25, 2018

The Premiere of 'Four Women Artists'

In this 1977 documentary, the spirit of Southern culture is captured through four Mississippi artists who tell their stories.
by Nicole Rudick via The Paris Review on May 29, 2018
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