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Artwork by Alanna Fields of an enslaved individual.

The Dark Underside of Representations of Slavery

Will the Black body ever have the opportunity to rest in peace?
Illustration of Edgar Allen Poe looking out window at raven, painted by Eduard Manet

Edgar Allan Poe Needs a Friend

Revisiting the relationships of “a man who never smiled.”
Man kneeling in crowd in front of police

On Our Knees

What the history of a gesture can tell us about Black creative power.
Join or Die woodcut of a chopped up rattlesnake representing un-unified colonies.

The Serpents of Liberty

From the colonial period to the end of the US Civil War, the rattlesnake sssssssymbolized everything from evil to unity and power.
A family posing for a picture on a porch

Porch Memories

An architectural historian invites us to sit with her awhile on the American porch.
Text that says "Can a font be racist?" in the font "Won Ton."

Karate, Wonton, Chow Fun: The End of 'Chop Suey' Fonts

For years, the West has relied on so-called 'chop suey' fonts to communicate "Asianness" in food packaging, posters and ad campaigns.
Lawd, Mah Man's Leavin' by Archibald Motley Jr.

How Should We Understand the Shocking Use of Stereotypes in the Work of Black Artists?

It's about the satirical tradition of 'going there.'
Duncanson landscape painting

Robert S. Duncanson Charted New Paths for Black Artists in 19th-Century America

Deemed “the greatest landscape painter in the West,” he achieved rare fame in his day.
Mother with a laptop, surrounded by noisy children.
partner

Suffrage Movement Convinced Women They Could ‘Have it All’

More than a century later, they’re still paying the price.
Tiled pattern of 2020 presidential campaign signs.

How Candidate Diversity Impacts Color Diversity

We looked at 271 presidential candidate logos from 1968–2020 to find out how race and gender intersect with color choices.
Warner Sallman's "Head of Christ" painting.

How Jesus Became White — and Why It’s Time to Cancel That

Nearly a century later, both ‘Head of Christ’ and criticism of its role in enshrining Jesus as white endure.
Seal of the CIA nestled against a background of modern art.

Was Modern Art Really a CIA Psy-Op?

The number of MoMA-CIA crossovers is highly suspicious, to say the least.
Caricature of Oscar Wilde in between a sunflower in a vase with the U.S. dollar symbol on it, and a lion with sunflower petals for a mane.

The Wilde Woman and the Sunflower Apostle: Oscar Wilde in the United States

Victoria Dailey looks back at Oscar Wilde’s wild ride through the United States in the early 1880s.
The Bullion Mine, Virginia City, Nevada, in a village at the foot of a mountain.

Gold Diggers on Camera

Creating the myth of the gold rush with the help of daguerreotypists.
Engraving of Harriet Beecher Stowe in profile.

How the Camera Introduced Americans to Their Heroines

A new show at the National Portrait Gallery spotlights figures including Harriet Beecher Stowe, Lucretia Mott and Margaret Fuller.

What Maketh a Man

How queer artist J.C. Leyendecker invented an iconography of twentieth-century American masculinity.

An Unreconstructed Nation: On Henry Louis Gates Jr.’s “Stony the Road”

A new history of Reconstruction traces the roots of American “respectability” politics through artwork.

How a Small-Town Navy Vet Created Rock’s Most Iconic Surrealist Posters

The story of one of rock's most prolific poster artists.
original

The Drunkard’s Progress

Two hundred years ago, it was hard for Americans to miss the message that they had a serious drinking problem.

A Wretched Situation Made Plain on Paper

How an engraving of a slave ship helped the abolition movement.

The Premiere of 'Four Women Artists'

In this 1977 documentary, the spirit of Southern culture is captured through four Mississippi artists who tell their stories.

Are Our Genes Really Our Fate?

DNA’s visual culture and the construction of genetic truth.
Civil War era envelope with a political cartoon with Confederate leaders hung as traitors.

When the Government Refused to Use Slavery to Recruit Soldiers, the Media Had No Qualms

With questionable motives, America finally saw black Union soldiers living and dying alongside their white countrymen.

The Heart of the Matter: A History of Valentine Cards

A digital exhibit from the collections of the Strong National Museum of Play.

How Portraiture Gave Rise to the Glamour of Guns

American portraiture with its visual allure and pictorial storytelling made gun ownership desirable.

Uncola: Seven-Up, Counterculture and the Making of an American Brand

Advertisements for the soft drink presented it as a soda revolution.

The 1960s Photographer Who Documented the Peace Sign as a Political Symbol

Jim Marshall photographed the spread of the peace sign between 1961 and 1968, with his images now published for the first time by Reel Art Press.
Stereograph titled 'The Toucans' depicting three toucans and a snake amid plants and rocks

Stereographs Were the Original Virtual Reality

The shocking power of immersing oneself in another world was all the buzz once before—about 150 years ago.

Woodcuts and Witches

On the witch craze of early modern Europe, and how the concurrent rise of the mass-produced woodcut helped forge the archetype of the broom-riding crone.

The Rise of the Image: Every NY Times Front Page Since 1852 in Under a Minute

Every single New York Times front page since 1852 in under a minute. Hint: Pay attention to the images!

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