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A painting of a crowd of people heading through gates labeled Chicago, New York, and St. Louis.

Fog From Harlem: Recovering a New Negro Renaissance in the American Midwest

How the focus on Harlem obfuscated Black culture in the Midwest.
by Sam Thozer via Journal Of The History Of Ideas on June 19, 2024
Aaron Douglas, “Still Life,” n.d.

The Harlem Renaissance Was Bigger Than Harlem

How Black artists made modernism their own.
by Susan Tallman via The Atlantic on June 14, 2024
A painting of a lively sermon in a Black church.

Respectability Be Damned: How the Harlem Renaissance Paved the Way for Art by Black Nonbelievers

How James Baldwin, Richard Wright, Zora Neale Hurston, and others embraced a new Black humanism.
by Anthony B. Pinn via Literary Hub on May 24, 2024
Aaron Douglas, detail from painting Aspects of Negro Life: From Slavery to Reconstruction, 1934.

The Cosmopolitan Modernism of the Harlem Renaissance

The world-spanning art of the Harlem Renaissance.
by Rachel Himes via The Nation on April 9, 2024
From left to right, Langston Hughes with Charles S. Johnson; E. Franklin Frazier; Rudolph Fisher and Hubert T. Delaney.

Why Harlem? Considering the Site of “Civil Rights by Copyright,” 100 Years Later

The confluence of Black modernity, self-determinism, and belongingness of Harlem's housing.
by Bo McMillan via Literary Hub on February 13, 2023
Graphic novel page depicting Harlem's Black nightlife.

A Graphic Novel Rediscovers Harlem’s Glamorous Female Mob Boss

Stephanie St. Clair, who gained notoriety as a criminal entrepreneur and a fashion icon, was a powerful Black woman able to wrest control in a world run by men.
by Françoise Mouly, Genevieve Bormes, Elizabeth Colomba via The New Yorker on January 4, 2023
Gladys Bentley

The Overlooked LGBTQ+ History of the Harlem Renaissance

Acknowledging the queer culture of the Harlem Renaissance is essential in order to paint a full picture of the period.
by Olivia B. Waxman, Arpita Aneja via TIME on October 11, 2021
summer campers around a fire
partner

Around the Campfire with Paul Robeson

The history of Camp Wo-Chi-Ca tells a largely overlooked story about left-wing politics and Black culture.
by Nina Silber via HNN on August 6, 2024
Women posing as if drinking from beer bottles.

How Prohibition Forever Changed Women’s Cultural Relationship with Alcohol

On the hostess Langston Hughes called the “Joy Goddess of Harlem.”
by Nicola Nice via Literary Hub on April 24, 2024
The covers of "Romance in Marseille" and "Amiable with Big Teeth" by Claude McCay over a blue blackground splattered with paint.

Zeal, Wit, and Fury: The Queer Black Modernism of Claude McKay

Considering the suppressed legacy of Claude McKay’s two “lost” novels, “Amiable with Big Teeth” and “Romance in Marseille.”
by Gary Edward Holcomb via Los Angeles Review of Books on September 11, 2023
Painting by Beauford Delaney featuring white outlines of people in front of a red, yellow, orange, and white patterned background.

In Old Wilmington

How the failed search for a silent film uncovered a lost musician of the Harlem Renaissance.
by John Jeremiah Sullivan via Oxford American on September 5, 2023
The New York Renaissance basketball team.

The Harlem Hoopsters of the Renaissance

The New York Renaissance, also known as the Harlem Renaissance, was the first Black-owned, all-black, fully-professional basketball team established in 1923.
by Frank Drouzas via The Weekly Challenger on June 26, 2023
A photograph of Marvel Cooke overlayed over The Crisis' newspaper office.

This Radical Reporter Dedicated Her Life to Fighting the System

"I idolized women like Marvel Cooke," Angela Davis tells Teen Vogue.
by Olivia Lapeyrolerie via Teen Vogue on February 8, 2023
Claude McKay speaking at the Kremlin, as printed in the December 1923 issue of the Crisis.

The Proletarian Poet

A new book on Claude McKay is part of an effort to place the poetry of the Harlem Renaissance within the Black radical tradition.
by Jennifer Wilson via Dissent on July 25, 2022
Advertisement for Ethel Waters' record

The Rise and Fall of Black Swan Records

The story of the first major black-owned record label and the mystery behind the man who created it.
by Joe Richman via Radio Diaries on June 25, 2021
Eubie Blake, Flournoy Miller, Noble Sissle, Aubrey Lyles smiling in round photograph.

'Footnotes' Review: Spotlight on ‘Shuffle Along’

When a pair of college friends with a knack for comedy met up with a musical double act, they had the ingredients for a sensation.
by John Check via The Wall Street Journal on May 21, 2021
Collage by Romare Bearden depicting African Americans in an urban setting

The Many Lives of Romare Bearden

An abstract expressionist and master of collage, an intellectual and outspoken activist, Bearden evolved as much as his times did.
by Nell Irvin Painter via The Nation on August 26, 2019

Zora Neale Hurston: “A Genius of the South”

John W. W. Zeiser reviews Peter Bagge's graphic biography "Fire!! The Zora Neale Hurston Story."
by John W. W. Zeiser via Los Angeles Review of Books on November 13, 2017
Self-Portrait, by Samuel Joseph Brown Jr., a painting of a Black man looking at a portrait of himself.

A Right to Paint Us Whole

W.E.B. Du Bois’ message to African American artists.
by Melvin L. Rogers via Lapham’s Quarterly on October 4, 2023
Ronald Squire, Harry Belafonte and Dorothy Dandridge.

Against Race Essentialism

Black identity is a reality, not an idea.
by Tomiwa Owolade via New Statesman on May 15, 2023

A Lost Operatic Masterpiece Written By White Men For An All-Black Cast Was Found And Restored

Can it be produced without controversy?
by Fredric Dannen via Billboard on March 27, 2023
January 6, 1947 Harlem Globetrotters ad.

The Harlem Globetrotters and the Social Significance of Sports

The Globetrotters have always been far more than just a comic exhibition team, just as sports have always meant much more than escapism.
by Ben Railton via The Saturday Evening Post on March 15, 2023
Black writers Askia Toure, Lorenzo Thomas, and Ismael Reed seated at an Umbra meeting.

A New Flame for Black Fire

What will be the legacy of the Black Arts Movement? Ishmael Reed reflects on the transformation and growth of Black arts since the 1960s.
by Ishmael Reed via New York Review of Books on January 14, 2023
A collage featuring pictures from the 1918 Flu Pandemic and the 1920s, including people wearing masks and nurses on one side and flappers on the other.

What Caused the Roaring Twenties? Not the End of a Pandemic (Probably)

As the U.S. anticipates a vaccinated summer, historians say measuring the impact of the 1918 influenza on the uproarious decade that followed is tricky.
by Lila Thulin via Smithsonian on May 3, 2021
James Weldon Johnson.

James Weldon Johnson’s Ode to the “Deep River” of American History

What an old poem says about the search for justice following the Capitol riot.
by David W. Blight via The New Republic on March 2, 2021
Lawd, Mah Man's Leavin' by Archibald Motley Jr.

How Should We Understand the Shocking Use of Stereotypes in the Work of Black Artists?

It's about the satirical tradition of 'going there.'
by Richard J. Powell via Artnet News on February 16, 2021
Photograph of a newsstand selling magazines

What Are Magazines Good For?

The story of America can be told through the story of its periodicals.
by Nathan Heller via The New Yorker on February 16, 2021
Two adults holding hands with a child in front of a Christmas tree

The Oracle of Our Unease

The enchanted terms in which F. Scott Fitzgerald portrayed modern America still blind us to how scathingly he judged it.
by Sarah Churchwell via New York Review of Books on September 24, 2020
Langston Hughes signing an autograph surrounded by five other people

Let America Be America Again

Langston Hughes, "poet laureate of Harlem," dreamed of an America that lived up to its ideals.
by Louis P. Masur via The American Scholar on September 8, 2020

Standing on the Crater of a Volcano

In 1920, James Weldon Johnson went to Washington, armed with census data, to fight rampant voter suppression across the American South.
by Dan Bouk via Census Stories, USA on July 27, 2020
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