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Fire (the Magazine) cover with bold words fire in red and other visual illustrations.

A Radical Black Magazine From the Harlem Renaissance Was Ahead of Its Time

Fire!! was a pathbreaking showcase for Black artists and writers “ready to emotionally serve a new day and a new generation.”
A painting of a crowd of people heading through gates labeled Chicago, New York, and St. Louis.

Fog From Harlem: Recovering a New Negro Renaissance in the American Midwest

How the focus on Harlem obfuscated Black culture in the Midwest.
Aaron Douglas, “Still Life,” n.d.

The Harlem Renaissance Was Bigger Than Harlem

How Black artists made modernism their own.
A painting of a lively sermon in a Black church.

Respectability Be Damned: How the Harlem Renaissance Paved the Way for Art by Black Nonbelievers

How James Baldwin, Richard Wright, Zora Neale Hurston, and others embraced a new Black humanism.
Aaron Douglas, detail from painting Aspects of Negro Life: From Slavery to Reconstruction, 1934.

The Cosmopolitan Modernism of the Harlem Renaissance

The world-spanning art of the Harlem Renaissance.
From left to right, Langston Hughes with Charles S. Johnson; E. Franklin Frazier; Rudolph Fisher and Hubert T. Delaney.

Why Harlem? Considering the Site of “Civil Rights by Copyright,” 100 Years Later

The confluence of Black modernity, self-determinism, and belongingness of Harlem's housing.
Graphic novel page depicting Harlem's Black nightlife.

A Graphic Novel Rediscovers Harlem’s Glamorous Female Mob Boss

Stephanie St. Clair, who gained notoriety as a criminal entrepreneur and a fashion icon, was a powerful Black woman able to wrest control in a world run by men.
Gladys Bentley

The Overlooked LGBTQ+ History of the Harlem Renaissance

Acknowledging the queer culture of the Harlem Renaissance is essential in order to paint a full picture of the period.
summer campers around a fire
partner

Around the Campfire with Paul Robeson

The history of Camp Wo-Chi-Ca tells a largely overlooked story about left-wing politics and Black culture.
Women posing as if drinking from beer bottles.

How Prohibition Forever Changed Women’s Cultural Relationship with Alcohol

On the hostess Langston Hughes called the “Joy Goddess of Harlem.”
The covers of "Romance in Marseille" and "Amiable with Big Teeth" by Claude McCay over a blue blackground splattered with paint.

Zeal, Wit, and Fury: The Queer Black Modernism of Claude McKay

Considering the suppressed legacy of Claude McKay’s two “lost” novels, “Amiable with Big Teeth” and “Romance in Marseille.”
Painting by Beauford Delaney featuring white outlines of people in front of a red, yellow, orange, and white patterned background.

In Old Wilmington

How the failed search for a silent film uncovered a lost musician of the Harlem Renaissance.
The New York Renaissance basketball team.

The Harlem Hoopsters of the Renaissance

The New York Renaissance, also known as the Harlem Renaissance, was the first Black-owned, all-black, fully-professional basketball team established in 1923.
A photograph of Marvel Cooke overlayed over The Crisis' newspaper office.

This Radical Reporter Dedicated Her Life to Fighting the System

"I idolized women like Marvel Cooke," Angela Davis tells Teen Vogue.
Claude McKay speaking at the Kremlin, as printed in the December 1923 issue of the Crisis.

The Proletarian Poet

A new book on Claude McKay is part of an effort to place the poetry of the Harlem Renaissance within the Black radical tradition.
Advertisement for Ethel Waters' record

The Rise and Fall of Black Swan Records

The story of the first major black-owned record label and the mystery behind the man who created it.
Eubie Blake, Flournoy Miller, Noble Sissle, Aubrey Lyles smiling in round photograph.

'Footnotes' Review: Spotlight on ‘Shuffle Along’

When a pair of college friends with a knack for comedy met up with a musical double act, they had the ingredients for a sensation.
Collage by Romare Bearden depicting African Americans in an urban setting

The Many Lives of Romare Bearden

An abstract expressionist and master of collage, an intellectual and outspoken activist, Bearden evolved as much as his times did.

Zora Neale Hurston: “A Genius of the South”

John W. W. Zeiser reviews Peter Bagge's graphic biography "Fire!! The Zora Neale Hurston Story."
Self-Portrait, by Samuel Joseph Brown Jr., a painting of a Black man looking at a portrait of himself.

A Right to Paint Us Whole

W.E.B. Du Bois’ message to African American artists.
Ronald Squire, Harry Belafonte and Dorothy Dandridge.

Against Race Essentialism

Black identity is a reality, not an idea.

A Lost Operatic Masterpiece Written By White Men For An All-Black Cast Was Found And Restored

Can it be produced without controversy?
January 6, 1947 Harlem Globetrotters ad.

The Harlem Globetrotters and the Social Significance of Sports

The Globetrotters have always been far more than just a comic exhibition team, just as sports have always meant much more than escapism.
Black writers Askia Toure, Lorenzo Thomas, and Ismael Reed seated at an Umbra meeting.

A New Flame for Black Fire

What will be the legacy of the Black Arts Movement? Ishmael Reed reflects on the transformation and growth of Black arts since the 1960s.
A collage featuring pictures from the 1918 Flu Pandemic and the 1920s, including people wearing masks and nurses on one side and flappers on the other.

What Caused the Roaring Twenties? Not the End of a Pandemic (Probably)

As the U.S. anticipates a vaccinated summer, historians say measuring the impact of the 1918 influenza on the uproarious decade that followed is tricky.
James Weldon Johnson.

James Weldon Johnson’s Ode to the “Deep River” of American History

What an old poem says about the search for justice following the Capitol riot.
Lawd, Mah Man's Leavin' by Archibald Motley Jr.

How Should We Understand the Shocking Use of Stereotypes in the Work of Black Artists?

It's about the satirical tradition of 'going there.'
Photograph of a newsstand selling magazines

What Are Magazines Good For?

The story of America can be told through the story of its periodicals.
Two adults holding hands with a child in front of a Christmas tree

The Oracle of Our Unease

The enchanted terms in which F. Scott Fitzgerald portrayed modern America still blind us to how scathingly he judged it.
Langston Hughes signing an autograph surrounded by five other people

Let America Be America Again

Langston Hughes, "poet laureate of Harlem," dreamed of an America that lived up to its ideals.

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