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Edith Wharton

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Edith Wharton.

Why Do Women Want?: Edith Wharton’s Present Tense

"The Custom of the Country" and its unique relationship with ideas of feminism and the culture of the early 20th century elite.
Illustration of two ghostly women

The Haunted World of Edith Wharton

Whether exploring the dread of everyday life or the horrors of the occult, her ghost tales documented a nation haunted by isolation, class, and despair.
Illustration of a ghost, resembling a woman figure.

Edith Wharton’s Bewitching, Long-Lost Ghost Stories

A reissued collection, long out of print, revives the author’s masterly stories of horror and unease.
A movie still featuring a close-up of two actors from The Age of Innocence

The Age of Innocence: How a US Classic Defined Its Era

Cameron Laux looks at how The Age of Innocence – published 100 years ago – marked a pivotal moment in US history.
Headshot of Charlotte Perkins Gilman

The Trouble with Charlotte Perkins Gilman

Charlotte Perkins Gilman authored the beloved short story "The Yellow Wallpaper," but also supported eugenics and nativism.
A white hand holding white flowers.

100 Years of Edith Wharton's "The Age of Innocence"

Where does Edith Wharton's idea of innocence fall into our own world?
Titian room at the Isabella Stewart Gardner Museum, 1903.

It Belongs in a Museum

Isabella Stewart Gardner builds a place to house her art.
“The Marriage of Convenience,” 1883, by William Quiller Orchardson, depicting a bored young woman and an older man at opposite ends of a long dining room table.

How To Lose a Guy in the Gilded Age

Uncovering the resort where rich women sought the elusive right to divorce
JFK and Jackie Kennedy with wedding party

You’ll Miss Us When We’re Gone

The rise and fall of the WASP.
Photograph of Marian Brook, a fictional character in HBO's The Gilded Age
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Philanthropy and the Gilded Age

As the HBO series The Gilded Age suggests, charity allowed wealthy women to play a visible role in public life. It was also a site of inter-class animosity.
Henry James; illustration by James McMullan

Visions of Waste

The American Scene is Henry James’s indictment of what Americans had made of their land.
Painting of a bride cutting cake surrounded by guests at 19th century wedding

A Brief History of the New York Times Wedding Announcements

Cate Doty on the evolution of a society mainstay.
A collage of book covers.

The Radical Origins of Self-Help Literature

How did the genre of self-help go from one focused on collective empowerment to one serving the class hierarchy as it stands?