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Viewing 1–10 of 10
original
Pieces of the Past
Dispatches from a spine-tingling day of visits to the places where James Fenimore Cooper, Herman Melville, and Thomas Cole created their most famous works.
by
Ed Ayers
on
March 15, 2023
The Hotel at the Heart of the Hudson River School
An unearthed guest register from the Catskill Mountain House sheds light on the artists who spent the night there.
by
Rebecca Rego Barry
via
Lapham’s Quarterly
on
November 18, 2020
The False Narratives of the Fall of Rome Mapped Onto America
Gravely inaccurate 19th-century depictions of the destruction of Rome are used to illustrate parallels between Rome and the U.S.
by
Sarah E. Bond
via
Hyperallergic
on
July 3, 2019
"Nature’s Nation": The Hudson River School and American Landscape Painting, 1825–1876
How American landscape painters, seen as old-fashioned and provincial, gained cultural power by glorifying expansionism.
by
Linda Ferber
via
Gilder Lehrman Institute of American History
on
May 1, 2016
The Sound of the Picturesque
Charles Ives and the visual.
by
Tim Barringer
via
The American Scholar
on
September 13, 2024
Jilted: Samuel F. B. Morse at Art’s End
The rejection that ended Morse's art career eventually led to the invention of the telegraph.
by
Paul Staiti
via
Panorama
on
June 18, 2024
original
Mettlesome, Mad, Extravagant City
In the streets of New York, we try to imagine the city as Walt Whitman, and other artists of his time, experienced it.
by
Ed Ayers
on
September 21, 2023
The Thrill of the Chase
Why are Americans so obsessed with tornadoes? A brief tour of twister culture has the answer.
by
Rebecca Onion
via
PBS
on
May 12, 2020
Willful Waters
Los Angeles and its river have long been enmeshed in an epic struggle for control.
by
Vittoria Di Palma
,
Alexander Robinson
via
Places Journal
on
May 1, 2018
How the Log Cabin Became an American Symbol
We have the Swedes and William Henry Harrison to thank for the popularization of the log cabin.
by
Andrew Belonsky
via
Mental Floss
on
April 19, 2018