Person

Thomas Cole

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Pieces of the Past

Dispatches from a spine-tingling day of visits to the places where James Fenimore Cooper, Herman Melville, and Thomas Cole created their most famous works.
A landscape painting.

The Hotel at the Heart of the Hudson River School

An unearthed guest register from the Catskill Mountain House sheds light on the artists who spent the night there.

The False Narratives of the Fall of Rome Mapped Onto America

Gravely inaccurate 19th-century depictions of the destruction of Rome are used to illustrate parallels between Rome and the U.S.

"Nature’s Nation": The Hudson River School and American Landscape Painting, 1825–1876

How American landscape painters, seen as old-fashioned and provincial, gained cultural power by glorifying expansionism.
Autumn, an 1856 sunset landscape painting by Frederic Church.

The Sound of the Picturesque

Charles Ives and the visual.
Oil painting by Samuel F. B. Morse titled "The Muse: Susan Walker Morse."

Jilted: Samuel F. B. Morse at Art’s End

The rejection that ended Morse's art career eventually led to the invention of the telegraph.
View of Brooklyn from Trinity Church, 1853.
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Mettlesome, Mad, Extravagant City

In the streets of New York, we try to imagine the city as Walt Whitman, and other artists of his time, experienced it.

The Thrill of the Chase

Why are Americans so obsessed with tornadoes? A brief tour of twister culture has the answer.

Willful Waters

Los Angeles and its river have long been enmeshed in an epic struggle for control.

How the Log Cabin Became an American Symbol

We have the Swedes and William Henry Harrison to thank for the popularization of the log cabin.