Person

Saidiya Hartman

Related Excerpts

Black and white photo of Saidiya Hartman in a field of flowers

The Enduring Power of “Scenes of Subjection”

Saidiya Hartman’s unrelenting exploration of slavery and freedom in the United States first appeared in 1997 and has lost none of its relevance.
Black women, oil painting

Rebellious History

Saidiya Hartman’s "Wayward Lives, Beautiful Experiments" is a strike against the archives’ silence regarding the lives of Black women in the shadow of slavery.

What Should a Slavery Epic Do?

If there’s anything the 2010s taught us, it’s that there is no getting these stories right, no honoring with grace the dead and ghosts.

Ta-Nehisi Coates’s Narratives of Freedom

In Coates's debut novel, he sets out to recover the struggles for emancipation that have been lost to the past.

The Breaks of History

We might say that these books are recording a life with music, and that they are worth listening to.

A Book of Necessary, Speculative Narratives for the Anonymous Black Women of History

Unearthing the beauty in the wayward, the fiction in the facts, and the thriving existence in the face of a blanked out history.
A cream colored map depicting the Middle Passage and trade routes between North America, South America, Africa, and Europe.

What Was Africa to Them?

How historians have understood Africa and the Black diaspora in global conversations about race and identity.
Hayden White from the cover of "The Ethics of Narrative."

The Ironic Radical: On Hayden White’s “The Ethics of Narrative”

The kinds of narratives historians tend to fall back on constrain our ability to imagine alternatives to the way things have been, and to the way things are.
Bayard Rustin gestures at a zoning map.

Bayard Rustin: The Panthers Couldn’t Save Us Then Either

Rustin’s assessment of the lay of the political land was predicated on a no-nonsense understanding of the radicalism of the moment.
James Sweet's Article, the American Historical Association publication, and the Twitter logo.

What AHA President James Sweet Got Wrong—And Right

Attacking presentism as a mindset of younger scholars doesn’t solve any of the historical profession's problems.
Illustration of African American Civil War soldier examining newspaper by torchlight as a Black family watches.

On War and U.S. Slavery: Enslaved Black Women’s Experiences

Enslaved women’s experiences with war must be extended to include the everyday warfare of slavery.
Diorama of a cluster of houses and people along a waterfront, with a ship in the foreground.

On the Rich, Hidden History of the Banjo

The banjo did not exist before it was created by the hands of enslaved people in the New World.
Statue of a man reading to children: the Kunta Kinte-Alex Haley Memorial, Annapolis, Maryland.

Black Genealogy After Alex Haley’s Roots

"A lot has been hidden from Black Americans. And so there is always a longing to know who you are and where you come from.”
Poster for HBO documentary "Exterminate All the Brutes," featuring a human skull painted to look like a globe.

We Must Burn Them: Against the Origin Story

"History​ is written by the victors, but diligent and continual silencing is required to maintain its claims on the present and future."
Black and white photograph of Lucille Clifton.

Lucille Clifton and the Task of Remembering

The poet’s memoir Generations is both a chronicle of her ancestral lineage and lesson in the centrality of Black women to the story of American history.
Watercolor painting of enslaved people walking barefoot on a forced march, with white men on horseback at the front and back of the line.

Reparative Semantics: On Slavery and the Language of History

Scholarly accounts of slavery have been changing, but these correctives sometimes say more about historians than the historical subjects they're writing about.
In the preface to a new book version of the 1619 Project, Nikole Hannah-Jones, a reporter and the leading force behind the endeavor, recalls that it began as a “simple pitch.”

The 1619 Project and the Demands of Public History

The ambitious Times endeavor reveals the difficulties that greet a journalistic project when it aspires to shift a founding narrative of the past.
Illustration of a black mother working, doing housework, and caring for a child

Daddy Issues

The murderous hysteria over white patrimony is inseparable from the private capture of both economic opportunity and political authority.
A newspaper drawing of the Nat Turner Rebellion.

Looking for Nat Turner

A new creative history comes closer than ever to giving us access to Turner’s visionary life.
A black and white photograph of a person playing the guitar.

My Father, Cultural Appropriator

The daughter of Buddy Holly's bandmate reflects on the defensiveness some white people have about the roots of rock 'n' roll.