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Tom Wolfe in profile against the New York City skyline.

The Electric Kool-Aid Conservative

Tom Wolfe was no radical.
by Osita Nwanevu via The New Republic on January 5, 2024
Katherine Rye Jewell standing in front of a tree and brick building on Vanderbilt University's campus.

‘Live From the Underground’ Details the Influential World of College Radio

What made those left-of-the-dial broadcasts so special during the 1980s, ‘90s and 2000s?
by Michael Patrick Brady via WBUR on December 5, 2023
Sly Stone with daughter Nove, ca. 1980.

On the Sly

A memoir of the Family Stone.
by Carl Wilson via Bookforum on December 4, 2023
A photograph of two women and a man, arms and legs linked, lying on grass.
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Polyamory Isn't Just for Liberals

In the history of sexual dissent, the relationship between politics and sexual freedom defies simplistic categorization.
by Christopher M. Gleason via Made By History on November 13, 2023
Part of a Xerox poster with the words "punk with copymachine" in front of a face

Xerox and Roll: The Corporate Machine and the Making of Punk

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on anti-art.
by Alex Houston via JSTOR Daily on October 22, 2023
Lou Reed in front of a photography setup.

The Canonization of Lou Reed

In a new biography, the Velvet Underground front man embodies a New York that exists only in memory.
by Jeremy Lybarger via The New Republic on October 17, 2023
Lenore Kandel’

The Forgotten Poet at the Center of San Francisco’s Longest Obscenity Trial

Amid Reagan’s late-sixties crackdown on the California counterculture, a jury was tasked with deciding whether Lenore Kandel’s psychedelic sex poems had “redeeming social importance.”
by Joy Lanzendorfer via The New Yorker on October 13, 2023
Colorful collage of Rocky Horror characters

Rocky Horror Has Surprising Roots in Victorian Seances

‘Time Warp’ all the way back to the 1800s.
by Victoria Linchong via Atlas Obscura on October 11, 2023
Album cover for “Tim,” the "Let It Bleed" edition, by The Replacements.

The Replacements Are Still a Puzzle

The reissue of “Tim” shows both the prescience and the unrealized promise of the beloved band.
by Elizabeth Nelson via The New Yorker on September 21, 2023
Universal HipHop Museum construction site.

On 50th Anniversary, Hip Hop Rises Again in the Bronx

The Universal Hip Hop Museum is poised to bring an economic and cultural infusion to the borough where the genre was born and bred.
by Brentin Mock via CityLab on August 11, 2023
Artistic representation of a man using psychedelics. The man's head appears like a matryoshka doll.

Brains on Drugs

Between the mid-nineteenth and early twentieth centuries, drug use to expand one’s consciousness went from an intellectual pastime to an emblem of social decay.
by John Semley via The Baffler on June 14, 2023

Activist Businesses: The New Left’s Surprising Critique of Postwar Consumer Culture

Activists established politically informed shops to offer alternatives to the consumer culture of chain stores, mass production, and multinational corporations.
by Joshua Clark Davis via Process: A Blog for American History on May 2, 2023
Illustration by Cristina Spano, picturing rulers and colorful shapes and designs coming out of the neck of a collared shirt

The Origins of Creativity

The concept was devised in postwar America, in response to the cultural and commercial demands of the era. Now we’re stuck with it.
by Louis Menand via The New Yorker on April 17, 2023
64 East 7th Street, New York City, 2022.

The Parsonage

An unprepossessing townhouse in the East Village has been central to a series of distinctive events in New York City history.
by David Hajdu via Places Journal on April 1, 2023
Malcolm Harris, left, and the cover of his book "Palo Alto," right. (Photo by Julia Burke)

The Obscene Invention of California Capitalism

A new history examines Silicon Valley, Palo Alto, the West Coast's settler ideology, and recent turbulence in the world of tech.
by Malcolm Harris, Emma Hager via The Nation on March 15, 2023
Cover of "Gravity's Rainbow," depicting a orange-red sky over a small city.

History Is Hard to Decode

On 50 years of Thomas Pynchon’s “Gravity’s Rainbow.”
by M. Keith Booker via Los Angeles Review of Books on February 28, 2023
A naked David Opal signaling a peace sign with his hands on a TV screen in front of a background of a 1970s themed living room.

What Became of the Oscar Streaker?

After Robert Opel dashed naked across the stage in 1974, he ran for President and settled into the gay leather scene.
by Michael Schulman via The New Yorker on January 30, 2023
Four women looking away from the camera and smiling.

Fairytale

The Pointer Sisters, the Great Migration, and the soul of country.
by Carina del Valle Schorske via Oxford American on December 13, 2022
Black and white photo of Woody Guthrie holding a guitar labeled "this machine kills fascists"

I've Got Those Old Talking-Blues Blues Again

The Folkies and WWII, Part Two.
by William Hogeland via Hogeland's Bad History on October 13, 2022
The Almanac Singers playing various instruments, including guitars, a banjo, and an accordion.

"Which Side Are You On, Boys..."

Watching the Ken Burns series on the U.S. and the Holocaust and thinking about American folk music.
by William Hogeland via Hogeland's Bad History on October 3, 2022
Front cover of Kevin Mattson's book, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and THE REAL CULTURE WAR of 1980s America."

Mapping Punk Rock in the Early 1980s

The nationwide spread of a counterculture.
by Glenn Dowdle via Northwestern University Knight Lab on August 15, 2022
Hitchhikers sitting on a road, thumbs extended.

That Ol’ Thumb: Hitchhiking

A review of "Driving With Strangers: What Hitchhiking Tells Us About Humanity."
by Mike Jay via London Review of Books on June 23, 2022
Crowd at Black Flag concert

The Unraveling of SST Records

Jim Ruland’s book on the legendary punk label helps explain why we lack a meaningful counterculture today.
by Michael Friedrich via The New Republic on May 3, 2022
Book cover of Whole Earth, featuring an image of Stewart Brand backlit and walking through a door, encircled by the earth.

On Floating Upstream

Markoff’s biography of Stewart Brand notes that Brand’s ability to recognize and cleave to power explains a great deal of his career.
by W. Patrick McCray via Los Angeles Review of Books on March 22, 2022
"What difference would another world make?", Sam Pulitzer, 2021.

New Left Review

Who did neoliberalism?
by Erik Baker via n+1 on March 8, 2022
Artists and people sitting on and around a hotel at Woodstock in 1967

The Dropout, a History: From Postwar Paranoia to a Summer of Love

The dropout was not just a hippy-trippy hedonist but a paranoid soul, who feared brainwashing and societal control.
by Charlie Williams via Aeon on December 3, 2021
A small cabin in the woods; Laird Sutton, a man with a thick white beard.

The Last Glimpses of California's Vanishing Hippie Utopias

A legion of idealists dropped out of society and went back to the land. Here's a glimpse of their otherworldly residences—and the end of the social experiment.
by David Jacob Kramer via GQ on September 9, 2021
Manhattan women's health rally
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Newsletters May Threaten the Mainstream Media, But They Also Build Communities

The platforms are new, but the form has been around for most of a century.
by Sarah M. Ovink via Made By History on July 8, 2021
Stephen Kinzer

The Untold Story of the CIA’s MK Ultra: A Conversation with Stephen Kinzer

Stephen Kinzer discusses his new biography, “Poisoner in Chief: Sidney Gottlieb and the CIA Search for Mind Control.”
by Stephen Kinzer, James Penner, Ed Prideaux via Los Angeles Review of Books on May 19, 2021
Hendrix performing at Woodstock

Rewinding Jimi Hendrix’s National Anthem

His blazing rendition at Woodstock still echoes throughout the years, reminding us of what is worth fighting for in the American experiment.
by Paul Grimstad via The New Yorker on January 26, 2021
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