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Elvis Presley performing to a crowd of fans reaching toward him

How Christianity Created Rock ’n’ Roll

Rock music owes much of its claim to coolness to the Christian faith.
Leon Bridges singing on stage.

'They Put Us in a Little Box': How Racial Tensions Shape Modern Soul Music

While white Americana singers have infused more soul into their sound, black artists still feel restricted by limited expectations.

Acquitting Elvis of Cultural Appropriation

His groundbreaking rock-n-roll was neither 'thievery' nor 'derivative blackness.'

King's Death Gave Birth to Hip-Hop

The assassination of Martin Luther King Jr. led directly to hip-hop, an era that is often contrasted with his legacy.

Bring the Noize

A search for the source of Southern hip-hop’s magic will always lead you to three men from Atlanta, known to the world as Organized Noize.

Chronicling “America’s African Instrument”

The banjo's history and its symbolism of community, slavery, resistance, and ultimately America itself.

The Racist Legacy of NYC’s Anti-Dancing Law

The cabaret law—and its prejudicial history—is one of the city's darkest secrets.

Strummin’ on the Old Banjo

How an African instrument got a racist reinvention.
Photograph of Redd Velvet (born Crystal Tucker) who started her career as a classically trained singer.

Keeping The Blues Alive

Is blues music a thing of the past? A festival in Memphis featuring musicians of all ages and nationalities shouts an upbeat answer.
Booker T. Washington writing at a desk.

Toward a Usable Black History

It will help black Americans to recall that they have a history that transcends victimization and exclusion.
Students and teacher talking about homework at Islamic School in Seattle.
partner

Islam and the U.S.

What does it mean to be Muslim in America? And how has the practice of Islam in the U.S. changed over time?
Black and white photo of Ornette Coleman.

Seeing Ornette Coleman

Coleman’s approach to improvisation shook twentieth-century jazz. It was a revolutionary idea that sounded like a folk song.
Musicians and producers around a soundboard listening to a recording.

How Stax Records Set an Example for America

Nelson “Little D” Ross talks soul and significance with music historian Robert Gordon.
Circus Sideshow, by Georges Seurat, 1887–88.

Unforgettable

W.E.B. Du Bois on the beauty of sorrow songs.
Sheet music for W.C. Handy’s St. Louis Blues, 1925, featuring blue and white images of Louis Armstrong.

Imani Perry’s Blue Notes

Her new book tells the story of Black people through an exploration of the color blue.
summer campers around a fire
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Around the Campfire with Paul Robeson

The history of Camp Wo-Chi-Ca tells a largely overlooked story about left-wing politics and Black culture.
Marvin Gaye walking on a basketball court, with players and the crowd behind him.

Marvin’s Last Protest

In 1968 Gaye shifted his musical vision to give voice to impoverished Black urban communities and the rising dissent against involvement in the Vietnam War.
Bottom half of a red sheet music cover with the words "Sung by Aida Overton Walker with the Smart Set Co" written on it with a portrait of Aida to the right

Sheet Music Covers for the Gotham-Attucks Company, ca. 1905–1911

Beginning in 1905, one star-studded song-publishing company would push the aesthetic limits of how Black popular music was shown to the public.
Vinyl disc of "Love, Love, Love" by Ted Jarrett

The Black Songwriter Who Took Nashville by Storm

Before Tracy Chapman’s “Fast Car” won song of the year at the CMAs, hit maker Ted Jarrett’s music topped the country charts.
original

Remembering Slavery

At museums and historic sites throughout the American South, a fuller and more complex picture of slavery is finally taking shape.
DC Map

Fifty Years Of Home Rule In Washington, DC

After Congress robbed Washingtonians of local and federal representation, decades of activism -- slowed by racist opposition -- finally succeeded in 1973.
Shirley Horn in a publicity shot, 1960.

How to Take It Slow

Following the rhythm of Shirley Horn.
Musical notation and a drawing of a barbed wire fence.

The Musical Legacy of a Mississippi Prison Farm

The new album “Some Mississippi Sunday Morning” collects gospel songs recorded inside a notorious penitentiary.
An uncredited performer with a member of the Delta Rhythm Boys in Give Me Some Skin (1946).

Jammin’ in the Panoram

During World War II, proto–music videos called “soundies” blared pop patriotism from visual jukeboxes across American bars.

The Disciplining Power of Disappointment

A new book argues that American politics are defined by unfulfilled desire.
Collage of poets and words.

Spoken Like a True Poet

In Joshua Bennett’s history of spoken word, poetry is alive and well thanks to a movement that began in living rooms and bars.
Image of four people with only their pants and shoes visible. The third person is holding a boombox.

On Atlanta’s Essential Role in the Making of American Hip-Hop

How the city's urban and suburban landscape shaped its alternating history of oppression and opportunity.
Black and white photo of Elvis Presley in a recording studio.

Was There Anything Real About Elvis Presley?

Presley never wrote a memoir. Nor did he keep a diary. His music could have been a window into his inner life, but he didn’t even write his songs.
Clockwise from left: William Dawson, Marian Anderson, William Grant Still, Florence Price. Background features the score of Price’s Violin Concerto No. 2.

Classical Music and the Color Line

Despite its universalist claims, the field is reckoning with a long legacy of racial exclusion.
Picture of country singer Charley Pride performing with guitar and microphone.

Charley Pride: How the US Country Star Became an Unlikely Hero During the Troubles

Tammy Wynette and Johnny Cash cancelled gigs in Belfast during the violent 1970s, but Pride played on.

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