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Collage by Romare Bearden depicting African Americans in an urban setting

The Many Lives of Romare Bearden

An abstract expressionist and master of collage, an intellectual and outspoken activist, Bearden evolved as much as his times did.
Black dolls.

What the Black Dolls Say

These rare survivors of early African-American art can illuminate much about our difficult history.
Still from Black Panther film.

What Would W. E. B. Du Bois Make of 'Black Panther'?

Considering Du Bois' complex ideas on the role of black artists in the struggle against white supremacy.

Teen Idol Frankie Lymon's Tragic Rise and Fall Tells the Truth About 1950s America

The mirage of the singer's soaring success echoes the mirage of post-war tranquility at home.
Painting of "Big Mama Thornton" wearing a suit and cowboy hat, singing on stage.

The Thinning of Big Mama

"Big Mama" does what all blues greats do: she telegraphs endurance and force to whomever out there in TV land might need it. This is blues perfection.
Elizabeth Taylor Greenfield

The Story of Elizabeth Taylor Greenfield, America's First Black Pop Star

The 19th century singer forced critics and audiences to reconcile their ears with their racism.
Kids and adults free dancing.

Camille A. Brown: A Visual History of Social Dance in 25 Moves

Why do we dance? African-American social dances started as a way for enslaved Africans to keep cultural traditions alive and retain a sense of inner freedom.
Charlayne Hunter-Gault, far left, interviewing Black filmmakers Mario Van Peebles, Neema Barnette, John Singleton, Reginald Hudlin, and Warrington Hudlin (left to right).
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Soul of Black Identity: New Jack Cinema

A conversation with some of the hottest filmmakers on the scene: They're young, they're Black, but they're making green.
Alvin Ailey

How to Forget Alvin Ailey

Even as “Edges of Ailey” gathers such intimate documents, it does not make them legible to its visitors.
Sheet music for W.C. Handy’s St. Louis Blues, 1925, featuring blue and white images of Louis Armstrong.

Imani Perry’s Blue Notes

Her new book tells the story of Black people through an exploration of the color blue.
Joe Henderson, McCoy Tyner, and fliers advertising jazz performances.

Jazz Off the Record

In the late 1960s, in the Lower East Side of Manhattan, jazz legends were playing the best music you’ve never heard.
Exhibit title card featuring a mural of Elizabeth Cotten.

Lady Plays the Blues Project

A digital annotated bibliography and multimedia archive about Black women country blues guitarists.
"I Baptize Thee," 1940 oil on burlap painting of a baptism.

How Memphis Gave Gospel the Holy Ghost

On the evening of October 7, 1952, gospel promoters booked the Spirit of Memphis for a concert in Memphis’s Mason Temple.
New release of Louis Vasnier recording.

The Earliest Known ‘Country’ Recording Has Been Found. The Singer? A Black Man.

A new release of an 1891 song by Louis Vasnier deepens what we know about the genre’s origins.
Fire (the Magazine) cover with bold words fire in red and other visual illustrations.

A Radical Black Magazine From the Harlem Renaissance Was Ahead of Its Time

Fire!! was a pathbreaking showcase for Black artists and writers “ready to emotionally serve a new day and a new generation.”
Jazz album covers.

How Jazz Albums Visualized a Changing America

In the 1950s, the covers of most jazz records featured abstract designs. By the late 1960s, album aesthetics better reflected the times and the musicians.
summer campers around a fire
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Around the Campfire with Paul Robeson

The history of Camp Wo-Chi-Ca tells a largely overlooked story about left-wing politics and Black culture.
Billie Holiday singing in a recording studio.

Decades After Billie Holiday’s Death, ‘Strange Fruit’ is Still a Searing Testament to Injustice

Christian and Jewish themes influenced the world of art around one of jazz’s greatest singers.
Motown Records advertisement for the Dynamic Superiors.

Trapped in Motown’s Closet

The intersection of Black music and queer identity.
Ella Fitzgerald at the Newport Jazz Festival in Newport, Rhode Island, 1970.

The Genius of Ella Fitzgerald

She remade the American songbook in her image, uprooting the very meaning of musical performance.
A painting of a lively sermon in a Black church.

Respectability Be Damned: How the Harlem Renaissance Paved the Way for Art by Black Nonbelievers

How James Baldwin, Richard Wright, Zora Neale Hurston, and others embraced a new Black humanism.
Ella Watson in American Gothic, photographed by Gordon Parks.

She Was No ‘Mammy’

Gordon Parks’s most famous photograph, "American Gothic," was of a cleaning woman in Washington, D.C. She has a story to tell.
Nell Irvin Painter.

Nell Irvin Painter’s Chronicles of Freedom

A new career-spanning book offers a portrait of Painter’s career as a historian, essayist, and most recently visual artist.
Posters for Beyonce's "Cowboy Carter" album.
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History Explains the Backlash to Beyoncé's 'Cowboy Carter'

Black cowboys made up as much as a quarter of working ranch hands during late 19th century. That legacy has been obscured.
Aaron Douglas, detail from painting Aspects of Negro Life: From Slavery to Reconstruction, 1934.

The Cosmopolitan Modernism of the Harlem Renaissance

The world-spanning art of the Harlem Renaissance.
Alice Coltrane

The Visions of Alice Coltrane

In the years after her husband John’s death, the harpist discovered a sound all her own, a jazz rooted in acts of spirit and will.
Maria P. Williams, 1916.

The First Black Woman to Write, Produce, and Act in Her Own Film

Maria P. Williams pioneered filmmaking for African American women, but her life is even more thrilling than her sole film.
Carl Van Vechten's portrait of John A. Williams, 1962.

What Becomes of the Brokenhearted

John A. Williams’s unsung novel.
Bottom half of a red sheet music cover with the words "Sung by Aida Overton Walker with the Smart Set Co" written on it with a portrait of Aida to the right

Sheet Music Covers for the Gotham-Attucks Company, ca. 1905–1911

Beginning in 1905, one star-studded song-publishing company would push the aesthetic limits of how Black popular music was shown to the public.
Nicki Minaj and the autobiography of Malcolm X written by Alex Haley.

It’s Bigger Than Hip-Hop

We cannot understand the last fifty years of U.S. history—certainly not the first thing about Black history—without studying the emergence and evolution of rap.

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