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Rhiannon Giddens
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Omar
Rhiannon Giddens, Michael Abels
2023
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Rhiannon Giddens and What Folk Music Means
The roots musician is inspired by the evolving legacy of the black string band.
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John Jeremiah Sullivan
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The New Yorker
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May 13, 2019
The Earliest Known ‘Country’ Recording Has Been Found. The Singer? A Black Man.
A new release of an 1891 song by Louis Vasnier deepens what we know about the genre’s origins.
by
Geoff Edgers
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Washington Post
on
November 30, 2024
Cowboy Carter and the Black Roots of Country Music
Beyoncé is following in the footsteps of many Black musicians before her.
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The Birthplace of Country Music Museum
via
Teen Vogue
on
March 29, 2024
‘Tell Your Story, Omar’
A new, Pulitzer Prize–winning opera adapts the memoir of Omar ibn Said, an African Muslim who spent much of his life enslaved in North Carolina.
by
Edward Ball
via
New York Review of Books
on
May 4, 2023
Rewriting Country Music's Racist History
Artists like Yola and Rhiannon Giddens are blowing up what Giddens calls a “manufactured image of country music being white and being poor.”
by
Elamin Abdelmahmoud
via
Rolling Stone
on
June 5, 2020
So You Think You Know the Banjo?
If you think that the banjo can teach us nothing about American history, Southern culture and modern race relations, then you certainly don't know the banjo.
by
Jenna Strucko
via
The Bitter Southerner
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January 20, 2015
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Should a Colombian Buy a Banjo?
How preparation for a big purchase turned into an adventure through history.
by
Santiago Flórez
via
HNN
on
April 16, 2024
How Odetta Revolutionized Folk Music
She animated the horror and emotional intensity in American labor songs by projecting them like a European opera singer.
by
Sasha Frere-Jones
via
The New Yorker
on
February 24, 2022
The Rise and Fall of Black Swan Records
The story of the first major black-owned record label and the mystery behind the man who created it.
by
Joe Richman
via
Radio Diaries
on
June 25, 2021
A Quest for the True Identity of Omar ibn Said, a Muslim Man Enslaved in the Carolinas
Omar ibn Said was captured in Senegal at 37 and enslaved in Charleston. A devout Muslim, he later converted to the Christian faith of his enslavers. Or did he?
by
Jennifer Berry Hawes
via
Post and Courier
on
May 27, 2021
Chronicling “America’s African Instrument”
The banjo's history and its symbolism of community, slavery, resistance, and ultimately America itself.
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Laurent Dubois
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Stephanie Kingsley
via
Perspectives on History
on
June 19, 2017