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Illustration of Ralph Waldo Emerson, Henry David Thoreau, and William James, and a cemetery.

‘Live All You Can’

The reflections of Emerson, Thoreau, and William James one finds a characteristically nineteenth-century American sense of resilience and regeneration.
Image from the filmstrip, showing a grieved woman with her head in her hands, being comforted by a man standing beside her

Uncle Tom’s Cabin in the Hands of the Red Scared

Again and again, a fervant British anticommunist's filmstrip of the novel shows images of women in states of distress.
Carl Van Vechten's portrait of John A. Williams, 1962.

What Becomes of the Brokenhearted

John A. Williams’s unsung novel.
Collage of African Americans' faces.

Specters of the Mythic South

How plantation fiction fixed ghost stories to Black Americans.
A computer-drawn image of George Moses Horton.

Stand Up and Spout

Cecil Brown wants to digitally revive the enslaved antebellum poet George Moses Horton. Can digital technology help reconnect us to the tradition he embodied?
Tom Wolfe in profile against the New York City skyline.

The Electric Kool-Aid Conservative

Tom Wolfe was no radical.
The cover of "The Deadline" by Jill Lepore.

The Hold of the Dead Over the Living

A conversation with Jill Lepore about the past decade — “a time that felt like a time, felt like history.”
Painting of waves crashing in the ocean by Winslow Homer

After Melville

In every generation, writers and readers find new ways to plumb the depths of Herman Melville and his work.
Books "Three Roads Back" and "Henry David Thoreau."

To Walden

Two new books attempt to grasp Thoreau’s seeming contradictions without reconciling them too easily.
Greek style illustration of Edith Hamilton and mythical figures.

The Latin School Teacher Who Made Classics Popular

A new biography of Edith Hamilton tells the story of how and why ancient literature became widely read in the United States.
Montana poster from the Works Projects Administration.

How WPA State Guides Fused the Essential and the Eccentric

Touring the American soul.
A librarian protects a book from a fat man in a suit who is burning books that don't look "American."

How Librarians Became American Free Speech Heroes

In the past and present, librarians have fought book bans and censorship.
Another text is visible beneath a ripped piece of writing

How America's First Banned Book Survived and Became an Anti-Authoritarian Icon

The Puritans outlawed Thomas Morton's "New English Canaan" because it was critical of the society they were building in colonial New England.
original

Edgar Allan Poe’s America

Tracing the life of the author who seemed to be from both everywhere and nowhere.
A mother sits behind a sign reading, "I have a Bible, I don't need those dirty books."

The Great Textbook War

What should children learn in school? It's a question that's stirred debate for decades, and in 1974 it led to violent protests in West Virginia.
The covers of "Romance in Marseille" and "Amiable with Big Teeth" by Claude McCay over a blue blackground splattered with paint.

Zeal, Wit, and Fury: The Queer Black Modernism of Claude McKay

Considering the suppressed legacy of Claude McKay’s two “lost” novels, “Amiable with Big Teeth” and “Romance in Marseille.”
Shelby Foote with a drawing of a Civil War battle superimposed over him.

The South’s Jewish Proust

Shelby Foote, failed novelist and closeted member of the Tribe, turned the Civil War into a masterpiece of American literature.
American blues singer and guitarist Leadbelly performs for a room full of people, 1940.

Is the History of American Art a History of Failure?

Sara Marcus’s recent book argues that from the Reconstruction to the AIDS era, a distinct aesthetic formed around defeat in the realm of politics.
Charles Dickens as he appears when reading, Harper’s Weekly (December 7th, 1867).

A Christmas Carol In Nineteenth-Century America, 1844-1870

What were Americans' immediate responses to "A Christmas Carol," and how did Dickens' reading tours and eventual death reshape its meaning?
Covers of popular history books.

Who Is History For?

What happens when radical historians write for the public.
Portrait of a girl wearing a red coral necklace.

The Labor of Polyps and Persons

The meaning of coral jewelry in nineteenth-century America.
Franz Kafka

How Franz Kafka Achieved Cult Status in Cold War America

And the origins of the term “Kafkaesque.”
Tennessee Williams

How Thomas Lanier Williams Became Tennessee

A collection of previously unpublished stories offers a portrait of the playwright as a young artist.
Henry David Thoreau with a propeller cap.

Henry David Thoreau Was Funnier Than You Think, Particularly on the Subject of Work

On the necessary “deep sincerity” of dark humor.
Historic marker for the 1892 lynching of Robert Lewis at Port Jervis.

Death by Northern White Hands

On Philip Dray’s “A Lynching at Port Jervis.”
Illustrated portrait of Don DeLillo against a firey background.

Secret Histories

Don DeLillo's Cold Wars.
Cormac McCarthy.

Cormac McCarthy’s Unforgiving Parables of American Empire

He demonstrated how the frontier wasn’t an incubator of democratic equality but a place of unrelenting pain, cruelty, and suffering.
Sedat Pakay, James Baldwin, Istanbul, 1966.

James Baldwin in Turkey

How Istanbul changed his career—and his life.
Daguerreotype of a young woman, with her head resting on her hand.

In Love with a Daguerreotype

A nineteenth-century twist on love at first sight.
original

Pieces of the Past

Dispatches from a spine-tingling day of visits to the places where James Fenimore Cooper, Herman Melville, and Thomas Cole created their most famous works.

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