folk music — Bunk History

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The Vietnam War: A History in Song

The ‘First Television War’ was also documented in over 5,000 songs.

by Justin Brummer via History Today on September 25, 2018

Acquitting Elvis of Cultural Appropriation

His groundbreaking rock-n-roll was neither 'thievery' nor 'derivative blackness.'

by David Masciotra via The American Conservative on April 18, 2018

Charley Pride on stage.

Charley Pride’s Music Taught Listeners That Country Music Was Black Music, Too

The mythology of cowboy culture is aggressively white, but there was always a black West.

by Nina Renata Aron via Timeline on February 12, 2018

A Hardworking Man Named Bob McDill

The steady hand behind more than 30 No. 1 country hits.

by Jennifer Justus via The Bitter Southerner on February 8, 2018

How Country Music Went Conservative

Country music is assumed to be the soundtrack of the Republican Party. But it wasn't always that way.

by On The Media via WNYC on October 6, 2017

The Rise and Fall of the “Sellout”

The history of the epithet, from its rise among leftists and jazz critics and folkies to its recent fall from favor.

by Franz Nicolay via Slate on July 28, 2017

How Rock and Roll Became White

And how the Rolling Stones, a band in love with black music, helped lead the way to rock’s segregated future.

by Jack Hamilton via Slate on October 6, 2016

Strummin’ on the Old Banjo

How an African instrument got a racist reinvention.

by Ben Marks via Collectors Weekly on October 4, 2016

Photograph of Redd Velvet (born Crystal Tucker) who started her career as a classically trained singer.

Keeping The Blues Alive

Is blues music a thing of the past? A festival in Memphis featuring musicians of all ages and nationalities shouts an upbeat answer.

by Touré via Smithsonian on August 26, 2016

Gram Parsons.

Nudie and the Cosmic American

The iconic fusion of country and rock in Gram Parsons' legacy.

by Elyssa East via Oxford American on January 7, 2016

Black and white photo of Ornette Coleman.

Seeing Ornette Coleman

Coleman’s approach to improvisation shook twentieth-century jazz. It was a revolutionary idea that sounded like a folk song.

by Taylor Ho Bynum via The New Yorker on June 12, 2015

Willie Nelson at the 1973 Fourth of July Picnic, in Dripping Springs.

That ’70s Show

Forty years ago, Willie, Waylon, Jerry Jeff, and a whole host of Texas misfits brought the hippies and rednecks together in outlaw country.

by John Spong via Texas Monthly on January 21, 2013

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