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Barbed wire with an American flag hanging on it

For Two Decades, Americans Told One Lie After Another About What They Were Doing in Afghanistan

The war in Afghanistan was nasty and brutish, marked by the same imperial arrogance that doomed U.S. involvement in Vietnam.
A photo of Harrison Post.

“In 1934, My Life Snapped”

Hollywood has long abused conservatorships. I spent the past decade studying one of the darkest cases.
Drawing of the Alamo

How Racism, American Idealism, and Patriotism Created the Modern Myth of the Alamo and Davy Crockett

Bryan Burrough, Chris Tomlinson, and Jason Stanford on the making of a misrepresented narrative.
Black and white photo of Barbara Bush, Lady Bird Johnson, Betty Ford, and Nancy Reagan, in 1994.

What Do We Want in a First Lady?

Lady Bird Johnson and Nancy Reagan grappled with the contradictions of a role that is at once public and private, superficial and serious.
Exhibit

Moving Pictures

Tracing the history of Americans' relationships with the silver screen, from film's earliest days to the cinematic creations of our own times.

An illustration featuring a man smoking a cigarette.
partner

When the CIA Was Everywhere—Except on Screen

Hollywood was just fine avoiding all portrayals of the Central Intelligence Agency for years after the agency's founding in 1947.
Joseph McCarthy appearing on CBS television
partner

The Cold War on TV: Joseph McCarthy vs. Edward R. Murrow

In the heat of the Cold War, Joe McCarthy’s anti-communist crusade became a media sensation.
Nancy Reagan standing behind a railing.

Nancy Reagan’s Real Role in the AIDS Crisis

The former first lady fought the conservative Reagan administration in an attempt to get her husband to pay more attention to the deadly pandemic.
Vernadette Vicuña Gonzalez (left), "Empire's Mistress" book cover with image of Isabel Cooper (right)

The General, the Mistress, and the Love Stories That Blind Us

Vernadette Vicuña Gonzalez discusses her new book on Isabel Cooper, a Filipina American actress and Douglas MacArthur’s lover.
Alfred Hitchcock directing

The Haunted Imagination of Alfred Hitchcock

How the master of suspense got his sadistic streak.
A graffiti mural in Los Angeles

The Emergence Of Gangsta Rap

A review of "To Live and Defy in LA: How Gangsta Rap Changed America."
Drawing of Speedy Gonzales

Why Do So Many Mexican Americans Defend Speedy Gonzales?

A stereotype? Definitely. Problematic? You bet. But many Mexican Americans still love the cartoon character.
A collage including Betty Boop.

The Mixed-Up Masters of Early Animation

Pioneering cartoonists were experimental, satiric, erotic, and artistically ambitious.
Headshot of William Faulkner

‘A Land Where the Dead Past Walks’

Faulkner’s chroniclers have to reconcile the novelist’s often repellent political positions with the extraordinary meditations on race, violence, and cruelty in his fiction.
Two people watching Cliff Edwards perform on the ukelele.

Ukulele Ike, a.k.a. Cliff Edwards, Sings Again

Ukulele Ike, otherwise known as Cliff Edwards, was a major American pop star and an important early force in jazz. It’s time to give him another hearing.
Cover of "Little Lindy is Kidnapped"

We Had Witnessed an Exhibition

A new book about the Lindbergh baby kidnapping focuses on the role played by the media.
Freddie Bartholomew in fighting stance as Little Lord Fauntleroy for the film.
partner

The Masculinization of Little Lord Fauntleroy

The 1936 movie Little Lord Fauntleroy broke box office records, only to be toned down and masculinized amid cultural fears of the “sissified” male.
partner

How Oscar Speeches Became So Political

Oscar night has become a platform for stars to pitch political causes.
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McCarthyism at the Oscars

As José Ferrer was being handed his Oscar—making him the first Latino actor to win—he was being investigated by the House Un-American Activities Committee.

Why Artist Hank Willis Thomas Smashed Up 'The Dukes of Hazzard's' General Lee

Thomas crunches history and Hollywood tropes in his first solo show in L.A.

What Should a Slavery Epic Do?

If there’s anything the 2010s taught us, it’s that there is no getting these stories right, no honoring with grace the dead and ghosts.
Left: Place de la Concorde. Number 6 in the series Curiosités Parisiennes, early 20th century. Postcard; offset lithography. Courtesy Leonard A. Lauder. Right: Monolite Mussolini Dux, via Wikimedia Commons

The 20th-Century Obelisk, From Imperialist Icon to Phallic Symbol

Amid all the imperial aspiration, wooly-minded New Age mythologizing, and pure unadulterated commerce, the obelisk stands tall.

The Decade Comic Book Nerds Became Our Cultural Overlords

Why do they have to be such sore winners?

My Friend Mister Rogers

I first met him 21 years ago, and now our relationship is the subject of a new movie. He’s never been more revered—or more misunderstood.

The Women Who Helped Build Hollywood

They played essential behind-the-scenes roles as the American movie industry was taking off. What happened?

Why It’s Time To Retire The Whitewashed Western

The original cowboys were actually Indigenous, Black and Latinx, but that's not what Hollywood has generally led us to believe.
African-American cowboys in Bonham, Texas, circa 1913

The Real Texas

What is Texas? Should we even think about so large and diverse a place as having an essence that can be distilled?
partner

How Oscar Micheaux Challenged the Racism of Early Hollywood

The black filmmaker Oscar Micheaux was one of the first to make films for a black audience, a rebuke to racist movies like "The Birth of a Nation."
partner

Selling Slashers to Teen Girls

The heroines of 1970s and 80s teen horror movies were traditionally feminine, tough, and sexually confident.

‘Once Upon a Time in Hollywood’ is a Science Fiction Film

Far from wallowing in nostalgia, Tarantino is using alternative history to critique conventional Hollywood endings.
Cathy Gillies, Kitty Lutesinger, Sandy Good, and Brenda McCann, of the Manson Family, kneel on the sidewalk outside the Los Angeles Hall of Justice on March 29, 1971.

The Manson Family Murders, and Their Complicated Legacy, Explained

The Manson Family murders weren’t a countercultural revolt. They were about power, entitlement, and Hollywood.

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