Culture  /  Retrieval

Woodcuts and Witches

On the witch craze of early modern Europe, and how the concurrent rise of the mass-produced woodcut helped forge the archetype of the broom-riding crone.

Apparently, witches were everywhere. Torture was recommended for extracting confessions, the death penalty was revealed as the only remedy against sorcery, and burning at the stake was proposed as a suitable method of execution. With one fell swoop, the persecution of witches was begun and an entire methodology was established. The book was a bestseller and strongly influenced the obsession with witchcraft for two hundred years, spreading slowly through continental Europe and then the Scandinavian countries, which became particularly obsessed with the subject. In Britain, the witch craze hit later, but it was rewarded with numerous pamphlets and ballads devoted to salacious details of devilish mischief.

One of the earliest and most notorious British witchcraft pamphlets was published in 1579: A Rehearsall both Straung and True, of Hainous and Horrible Actes Committed by Elizabeth Stile, alias Rockingham, Mother Dutten, Mother Deuell, Mother Margaret, Fower Notorious Witches. Stile was a sixty-five-year-old widow and beggar accused of bewitching an innkeeper. The pamphlet describes her association with three other old women known as Mother Margaret, Mother Dutten, and Mother Devell, as well as a man named Father Rosimunde, who could transform himself “into the shape and likenesse of any beaste whatsoever he will”. Woodcuts show these old women and several animal familiars, which they reportedly fed on their own blood.

The folkloric image of the crone was established through these images and repeated in similar pamphlets over the next century. These witches were usually bitter old women who lived on their own and kept cats or other animals as pets. The Wonderful Discoverie of the Witchcrafts of Margaret and Phillip Flower, Daughters of Joan Flower neere Beuer Castle (1619) and A Most Certain, Strange and True Discovery of a Witch (1643) are particularly famous examples that reinforced this archetype. Latent sexism and fear of those who lived on the fringe of society doubtless motivated much of this persecution. The latter pamphlet manages to mix sexism with scorn by doubting that women are even capable of performing the same sorcery that certain men have achieved:

Many are in a belief, that this silly sex of women by no means attaine to that so vile and damned a practice of sorcery and Witch-craft, in regard of their illiteratenesse and want of learning, which many men have by great learning done, Adam by temptation toucht and tasted the deceiving apple, so some high learnd & read by the same temptation that deceived him hath bin so insnared to contract with the Divel; as for example, in the instancing a few, as English Bacon of Oxford, Vandermast of Holland, Bungay of Germany, Fostus of the same, Franciscus the English Monke of Bury, Doctor Slackleach and divers others which were too tedious to relate of, but how weake women should attain unto it many are incredible of the same, and many too are opposite in opinion against the same, that giving a possibility to their doubtings, that the malice, and inveterate malice of a woman entirely devoted to her revengefull wrath frequenting desolate and desart places, and giving way unto their wished temptation, may have converse with that world roaring lion.