At its best, a presidential biopic can delve into the monomaniacal focus—and potential narcissism—that might drive a person to run for the White House in the first place. That’s what Oliver Stone did in 1995’s Nixon, dramatizing the 37th president’s downfall with the exhilarating paranoia of the director’s best work. Though guilty of some fact-fudging, Stone retained empathy for Richard Nixon’s childhood trauma and lifelong inferiority complex, delivering a Shakespearean tragedy filtered through a grim vision of American power. As Nixon (played by a hunched, scotch-guzzling Anthony Hopkins) stalks the halls of a White House engulfed by scandal, and stews with jealousy at the late John F. Kennedy, the presidency never seemed so lonely.
A presidential biopic can also zoom in on a crucial juncture in a leader’s life: Steven Spielberg’s Lincoln explored its protagonist’s fraught final months, during which he pushed, at great political risk, for a constitutional amendment to abolish slavery. Spielberg’s film was captivating because it didn’t just re-create Lincoln’s famous speeches, but also imagined what the man was like behind the scenes—in backroom dealings, or in contentious confrontations with his wife, Mary Todd. Like its 1939 predecessor, Young Mr. Lincoln, the film wisely limits its scope; focusing on a pivotal period proves a defter approach than trying to capture the full sprawl of a president’s life, a task better left to hefty biographies.
And then there’s a movie like this year’s Reagan, the Ronald Reagan biopic starring Dennis Quaid. Reagan is a boyhood-to-grave survey of the 40th president’s life and administration, with a chest-beating emphasis on his handling of the Cold War that blurs the line between biopic and Hollywood boosterism. Filmed with all the visual panache of an arthritis-medication commercial, the movie is suffocating in its unflagging reverence for its titular hero. In its portrayal of Reagan’s formative years, secondary characters seem to exist primarily to give mawkish pep talks or to fill the young Reagan’s brain with somber warnings about the evils of communism. “God has a purpose for your life, something only you can do,” his mother tells him after he reads scripture at church. Later, in college, he is disturbed by a speech from a Soviet defector, who visits a local congregation and lectures wide-eyed students that they will not find a “church like this” in the U.S.S.R.