Christopher Nolan’s highly-anticipated Oppenheimer comes to the big screen five days after the 44th anniversary of the Church Rock uranium mill spill, when 94 million gallons of radioactive waste poured into the Puerco River, spanning northwestern New Mexico and northern Arizona, and across the Navajo Nation. Children played in the contaminated water, while livestock drank from radioactive aquifers. What came next—cancers, miscarriages, and mysterious illnesses—is a direct consequence of America’s race for nuclear hegemony. It’s an accomplishment built on top of the bodies of Navajo men, women, and children—the lived experience of nuclear weapons development in the United States. But, as usual, Hollywood chose to gloss over them.
The Navajo people cannot afford to be, yet again, erased from history. Hollywood has a lot of work to do, and they can start by standing with the Navajo people and urging Congress to provide just compensation for victims of radiation exposure.
As part of this effort, we must all recognize the continued suffering and sacrifice that built the atomic era. From the 1940s to the 1990s, the U.S. used the Navajo Nation to supply them with uranium for the manufacture of nuclear weapons and energy. While ownership of the mines was transferred from the federal government to private companies in 1971, the U.S. failed to enforce proper safety standards, leaving the sites unregulated until 1990 when the last mine closed. More than 500 now abandoned mines cover our land as a result. Miners and their families were kept in the dark about the heinous dangers of radiation exposure, so they went about their daily activities like any other community. Workers drank the mine’s cool spring water, while their wives washed their yellowed work clothes. Families built homes with local rocks and sediment and let their children play for hours on uranium byproducts, including mine debris piles. Despite the U.S. government’s awareness of the risks inherent in uranium mining, most Navajos did not know what radiation was—let alone the danger presented by every second of exposure.
