Culture  /  Book Review

The Last American Aristocrat

George Kennan made hierarchy seem seductive.
Book
George Frost Kennan
2000

As Gordon Wood has noted, the American Revolution was not simply a matter of political change. It entailed a social revolution as well, emphasising equality as a social principle, undermining long-held hierarchies, and promoting an attitude of greater respect for ordinary men. Such attitudes are not always natural. The siren song of hierarchy, power, and authority captivates us even when we’re not recoiling from the monstrosities of populism. And if one would like to observe such attitudes at their most subtle and seductive, one of the best and most elegantly written books from such a perspective is George Kennan’s celebrated Sketches from a Life.

These are the assembled travel writings and letters written from 1927 to 1989 by George Kennan, diplomat and historian, key architect of Cold War containment and the Marshall Plan, a brilliant analyst and a beautiful writer, and an American patriot who long advocated for a less bellicose, less militarist, less hubristic foreign policy. ‘‘George Kennan came as close to authoring the diplomatic doctrine of his era as any diplomat in our history,’’ said Henry Kissinger. It’s a marvellous book, with passages of such elegance and insight I was constantly photographing them and sending them to friends. It also filled me with the same outrage I’d felt at that dinner party.

Those who have read Around the Cragged Hill, Kennan’s political and philosophical manifesto, will know some of the man’s oddities: his hatred of the automobile, his desire to split up America into 12 constituent republics, his belief that widespread use of domestic servants is essential for cultural health. And those familiar with the more unsavoury bits of his biography will know about his speculations that black and naturalised citizens should not be allowed to vote, about his self-declared “soft spot” for apartheid, about his State Department memo (that Dean Acheson refused to circulate) that partly blamed miscegenation for Latin America’s political troubles.

But it is in Sketches from a Life that we get his vision, most clearly and seductively, at the level of sensibility. And likewise, it is where we get almost unbidden notes of American optimism and egalitarianism occasionally polluting that vision. And so, rather than a sourcebook from “one of the wisest men in America” (as the New York Times put it when reviewing the book in 1989), this is a book best revisited as if it were a novel about a tragically limited, albeit brilliant, man who spent his life in service to a country whose spirit was at odds with his own.