Memory  /  Book Review

The 1619 Project Unrepentantly Pushes Junk History

Nikole Hannah-Jones' new book sidesteps scholarly critics while quietly deleting previous factual errors.
Book
Nikole Hannah-Jones, Jake Silverstein, Caitlin Roper, Ilena Silverman
2021

On the surface, The 1619 Project: A New Origin Story (One World) expands the short essays from The New York Times print edition into almost 600 pages of text, augmented by additional chapters and authors. The unmistakable subtext is an opportunity to answer the barrage of controversies that surrounded the project after its publication in August 2019. "We wanted to learn from the discussions that surfaced after the project's publication and address the criticisms some historians offered in good faith," Hannah-Jones announces in the book's introduction, before devoting the majority of her ink to denouncing the blusterous critical pronouncements of the Trump administration after it targeted The 1619 Project in the run-up to the 2020 presidential election. Serious scholarly interlocutors of the original project are largely sidestepped, and factual errors in the original text are either glossed over or quietly removed.

While the majority of the public discussion around The 1619 Project has focused on Hannah-Jones' lead essay, its greatest defects appear in the Princeton sociologist Matthew Desmond's essay on "Capitalism." Hannah-Jones' writings provide the framing for the project, but Desmond supplies its ideological core—a political charge to radically reorient the basic structure of the American economy so as to root out an alleged slavery-infused brutality from capitalism.

Hannah-Jones' prescriptive call for slavery reparations flows seamlessly from Desmond's argument, as does her own expanded historical narrative—most recently displayed in a lecture series for MasterClass in which she attempted to explain the causes of the 2008 financial crisis by faulting slavery. "The tendrils of [slavery] can still be seen in modern capitalism," she declared, where banking companies "were repackaging risky bonds and risky notes…in ways [that] none of us really understood." The causal mechanism connecting the two events remained imprecise, save for allusions to "risky slave bonds" and a redesignation of the cotton industry as "too big to fail."

Making what appears to be a muddled reference to the Panic of 1837, she confidently declared that "what happened in 1830 is what happened in 2008." The claimed connection aimed to prove that the "American capitalist system is defined today by the long legacy and shadow of slavery." This racist, brutal system "offers the least protections for workers of all races," she said, and it thus warrants a sweeping overhaul through the political instruments of the state. To this end, Hannah-Jones appends an expanded essay to The 1619 Project book, endorsing a Duke University study's call for a "vast social transformation produced by the adoption of bold national policies."

"At the center of those policies," she declared, "must be reparations."