The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes. 

The Nixon Foundation held a 50th Anniversary commemoration for the Paris Peace Accords, signed in 1973 to end American involvement in the Vietnam War, and organized a panel emphasizing Nixon’s “grand strategy” in reaching the agreement. One might question the strategy implemented by Nixon—it led to the disintegration of Cambodia, a war torn Laos, North Vietnamese troops below the DMZ in South Vietnam after the 1972 Easter Offensive—all hallmarks of a failed policy. While the panel consisted of acclaimed historians such as Pierre Asselin, no one on the panel suggested “grand strategy” ended the war. Scholarship by Nixon historians Jeffrey Kimball and Carolyn Eisenberg, moreover, shows that Nixon made major concessions to China and the Soviet Union in several failed attempts to end the war. 

The Nixon Foundation’s marketing of the Paris Peace Accords as the result of “grand strategy,” made me curious about how they treat the war in the Richard Nixon Presidential Library and Museum. A joint production of the Nixon Foundation and the National Archives and Records Administration, the Vietnam exhibit is one of the first exhibits visitors to the library go through. Other scholars have criticized the exhibit for placing Nixon above the culture wars of the era, but I found Nixon’s voice was nowhere to be found.

At the front of the gallery, a sign invites visitors to come to their own conclusions about Nixon’s life and career. Was Nixon a “warmonger,” the sign asks. The gallery then proceeds into the turmoil of the 1960s and the Vietnam era, with Nixon above the fray, and continues into the war he inherited. The exhibit is heavy on American P.O.W.s, giving the impression that Nixon fought the war to win their release. While there are several placards and photographs, there are significant gaps in the presentation of Nixon’s Vietnam policy.

To begin with, there is no mention of Nixon’s Madman Strategy. Nixon’s idea that using threats of nuclear force to scare the communist world into ending the Vietnam War. Think this concept is false? Nixon engineered a secret nuclear alert, Operation Giant Lance, to intimidate the Soviet Union into convincing the North Vietnamese to end the war. It failed and is not in the exhibit.

Also absent are the famous Nixon Tapes.