Bylines

Mark Anthony Neal

Richard Pryor.

Understanding Richard Pryor's Use of the N-Word

Pryor's use of the word represented something valiant.
Motown Records advertisement for the Dynamic Superiors.

Trapped in Motown’s Closet

The intersection of Black music and queer identity.
Marvin Gaye walking on a basketball court, with players and the crowd behind him.

Marvin’s Last Protest

In 1968 Gaye shifted his musical vision to give voice to impoverished Black urban communities and the rising dissent against involvement in the Vietnam War.
Don Cornelius and the Soul Train Dancers on the dance floor, with fist raised in the Black Power salute, at the end of a show.

Soul Train and the Desire for Black Power

Don Cornelius had faith that Black culture would attract a mass audience, and a belief that Black culture should be in the hands of Black people.

What's Going On? 50 Years Ago, The Answer Was Bigger Than Marvin Gaye

In 1971, a wave of Black artists released explosive new work that put its politics front and center.
Richard Pryor

A Nigger Un-Reconstructed: The Legacy of Richard Pryor

Comedian Richard Pryor's performance of Blackness throughout his career.

“Swinging While I’m Singing”: Spike Lee, Public Enemy, and the Message in the Music

Public Enemy's "Fight the Power," featured in Spike Lee's "Do the Right Thing," embodied many sentiments of a black generation.

1968: Soul Music and the Year of Black Power

The summer's hit songs offered a glimpse into the changing views of Black America.